Art work – 911 Gallery http://911gallery.org/ Thu, 16 Sep 2021 15:30:32 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://911gallery.org/wp-content/uploads/2021/07/icon-2021-07-28T144735.431-150x150.png Art work – 911 Gallery http://911gallery.org/ 32 32 Work of art for dental care: this Vancouver dentist has been exchanging his services for 25 years https://911gallery.org/work-of-art-for-dental-care-this-vancouver-dentist-has-been-exchanging-his-services-for-25-years/ Thu, 16 Sep 2021 15:30:32 +0000 https://911gallery.org/work-of-art-for-dental-care-this-vancouver-dentist-has-been-exchanging-his-services-for-25-years/ Curator Patrik Andersson is days away from the opening of a new exhibition at Griffin Art Projects in North Vancouver. The exhibition will ultimately bring together at least 100 works, most of which represent a who’s who of the established local art scene. They are all very different artists, doing very different types of work, […]]]>

Curator Patrik Andersson is days away from the opening of a new exhibition at Griffin Art Projects in North Vancouver. The exhibition will ultimately bring together at least 100 works, most of which represent a who’s who of the established local art scene. They are all very different artists, doing very different types of work, he notes. “But they all go to the same dentist.”

That dentist would be Dr. Zenon Trylowsky. A longtime friend of Andersson’s, he has run a practice since 1996, located in the Vancouver building on Granville Street. “It’s an iconic building, but if people knew what was going on inside …” Andersson muses, pausing. Because as long as Trylowsky has been practicing dentistry – longer, really – he’s also cultivated an art collection. And while he certainly does acquire things through traditional means, he has amassed much of the collection by interacting with his patients: offering dental care in exchange for works of art.

“It’s a great way to: a) help some people who need a little help, and b) you know, add to the collection,” says Trylowsky. And although the dentist will not disclose the details of how a transaction will unfold, he has been engaged in this form of pro bono exchange for 25 years. It’s an idea he borrowed from another dentist, he explains – the man who owned the practice before him. When they met, Trylowsky was impressed with the senior dentist’s art collection. Unlike typical waiting rooms, decorated with uninspired landscapes – perhaps a magical eye impression of a catamaran, if you’re fancy – this dentist had a taste for contemporary art. Trylowsky was inspired. Why not surround himself and his patients with what he loved?

And ever since he started his business, he has decorated his office like this. On the whole, the artists he collects are patients of the past and the present. But they are not amateurs. “I don’t think he’s just buying or collecting artwork from an artist who shows up and has a toothache,” Andersson says. “These are strong pieces from strong artists.” And although Trylowsky is reluctant to pick favorites, he notices his fondness for the works of Vikky Alexander, Ron Terada, and Rodney Graham. An article by Kelly Wood – an image of a bright, tough sucker – has been looming in the waiting room for ages, and as the dentist’s humor puts it, it’s a pretty sweet joke. “It was just to, you know, remind people why they’re in a dental office,” he says. “A subtle clue! “

Kelly Bois. Sucker, 1996. C-Print transmount. (Courtesy of Trapp Projects)

On September 25, the public will be able to see this work and several dozen others without reserving a clean-up. Griffin Art Projects will host Dents, Loan and Trust Company, Consolidated: The Trylowsky Collection until December 11, while you are in the dentist’s office, a small exhibition will be in progress. Featuring work by Kim Kennedy Austin, Ryan Quast and Neil Wedman, the office event is sadly reserved for patients. But Andersson arranges this bonus exhibit as a nod to a project from his and Trylowsky’s past – something that arguably kicked off the dentist’s collection.

In 1997, Trylowsky was only a year into his practice and Andersson was a starting art curator with nowhere to turn. But he had an idea, which he pitched to his old boyfriend. “Zenon really needed clients,” says Andersson, so he suggested turning the office into an exhibition space. He would get a gallery, and foot traffic could draw customers to Trylowsky. “It was kind of my hook for getting him to let me do shows there,” Andersson said. “We thought that was pretty funny, and then it kind of turned out to be what happened.”

For a decade Andersson organized art exhibitions for “The Trylowsky Gallery”. In any other context, their pop-up was just a room across from the main cabinet – a space where Trylowsky struggled with his paperwork. (And that’s where he does it again, by the way.) But the duo enjoyed a prime location. The office is around the corner from the Vancouver Art Gallery, and they would attract museum crowds by hosting their events in conjunction with the VAG opening nights. But in 2007, the dentist’s days as a guerrilla gallery owner came to an end. Andersson’s Curatorial Platform (Trapp projects) had passed the makeshift space, but Trylowsky’s interest in contemporary art persisted.

Rodney Graham. Artist Bar, 1950s, 2016. C-print. (Courtesy of Rodney Graham)

He had met countless artists, many of them in Andersson’s circles. Often these presentations were strictly dental references, and recently Andersson has given this fact a lot of thought. It comes to his mind whenever he discovers a long-lost piece in the Trylowsky collection – especially the art of colleagues plagued by dental problems. At the time, he told them to “go see Zenon”. And apparently they took his advice; the proof, apparently, is in the collection.

But Andersson found something more revealing while developing the show. The Trylowsky collection is, on one level, the record for a relationship between a dentist and his exceptionally remarkable patients – but it’s also a story about Vancouver art over the past 25 years, he says. “I think for a lot of the artists on the show, this will be a nice retrospective,” says Andersson. Beyond the people who have regular checkups every six months with Trelowsky, few people have seen this work. But Andersson says they “bring to mind one of the small moments and events in the history of this place. It’s a very local collection except for one or two artists.”

Earlier this week, every item in the collection was handed over to Andersson, and for the first time in forever, Trylwosky’s walls are bare: no home art, no office art. It’s an exciting time, he says, knowing he’s about to share his collection with the public. But maybe it is also strange. Before Andersson offered him the idea of ​​doing the exhibition, he didn’t feel like a true collector, he says. “Because you’re kind of surrounded by it, you kind of think it’s a normal thing,” he says. To appreciate art, to support art, there is nothing more natural. Said Trelowsky: “You realize it’s a big part of everyday life, in a way.”

Neil Wedman. Laughing Gas, 1998. Oil on linen canvas. (Courtesy of Trapp Projects)

Dents, Loan and Trust Company, Consolidated: The Trylowsky Collection. With John Anderson, Vikky Alexander, Jerry Allen, Lotta Antonsson, Roy Arden, Kim Kennedy Austin, Tim Barber, Tom Burrows, Neil Campbell, Lincoln Clarkes, Christos Dikeakos, Jamie Dolinko, Marcel Dzama, Mark Gilbert, Graham Gilmore, Rodney Graham, Adad Hannah, Cameron Kerr, Robert Kleyn, David Korty, Tim Lee, Robert Linsley, Attila Richard Lucacs, Kelly Lycan, Jason McLean, Al McWilliams, Mathew McWilliams, Myfanwy McLeod, Eric Metcalfe, Julie Morstad, Shannon Oksanen, Heather Passmore, Isabelle Pauwels, Ryan Quast, Tony Romano, Derek Root, Peter Schuyff, Alex Tedlie-Stursberg, Ron Terada, Mia Thompsett, T&T (Tony Romano and Tyler Brett), Holly Ward, Neil Wedman, Brian White and Kelly Wood. Sep 25 to Dec 11 Griffin Art Projects, North Vancouver. www.griffinartprojects.ca


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NCSU Future Visions: Artworks Shine a Light on Emerging R&D Worlds https://911gallery.org/ncsu-future-visions-artworks-shine-a-light-on-emerging-rd-worlds/ Sat, 21 Aug 2021 06:17:01 +0000 https://911gallery.org/ncsu-future-visions-artworks-shine-a-light-on-emerging-rd-worlds/ RALEIGH – From plants to peacocks, black holes to drug delivery, the 2021 winners Consider research competition highlighted the myriad ways their work shows us the beauty of our world – and helps us understand it. The competition is a collaborative effort of the North Carolina State Office of Research and Innovation, The Graduate School, […]]]>

RALEIGH – From plants to peacocks, black holes to drug delivery, the 2021 winners Consider research competition highlighted the myriad ways their work shows us the beauty of our world – and helps us understand it.

The competition is a collaborative effort of the North Carolina State Office of Research and Innovation, The Graduate School, North Carolina State University Libraries, Office of the undergraduate research and academic communications and marketing. Envisioning Research was open to faculty, staff, graduate students, postdoctoral researchers, and undergraduates.

A full list of winners, finalists and honorable mentions is below. You can see high-resolution versions of each entry, along with captions on each image, by clicking on the name of a winning entry.

You can also see a gallery of all the winners here.

Charts and data visualization

First place, graduate students and post-docs: Rémi Fayad, graduate student of the Faculty of Sciences, for “Photochemical upconversion in micellar assemblages. “

Second place, graduate students and post-docs: Sharda Pandit, graduate student of the College of Engineering, for “Drug deposits in tumor tissue. “

Microscopy

First place, graduate students and post-docs: Sarah Orr, graduate student at the College of Science, for “Mayfly with brush legs.

Second place, graduate students and post-docs: Shelby Boyd, Postdoctoral Fellow at the College of Sciences, for “Microscopic peacock tail: fan-shaped zinc chloride trihydrate crystals. “

Honorable mention, graduate and post-doctoral students: Matthew Neubauer, postdoctoral researcher at the College of Agricultural and Life Sciences, for “Fluorescent root tips. “

Honorable mention, graduate and post-doctoral students: Mariam Sohail, Graduate Student of the College of Engineering, for “Nanoparticles on tomato leaf. “

First place, teachers and staff: Matt Bertone, Faculty Member of the College of Agriculture and Life Sciences, for “Close-up (Z-stack) of the head and thoracic region of an adult Western Flower Thrips (Thysanoptera: Frankliniella occidentalis). “

Photography

First place, graduate students and post-docs: Evan Jevnikar, graduate student of the College of Sciences, for “Paleontologists’ walk. “

Second place, graduate students and post-docs: Ryan Bohannon, graduate student of the College of Natural Resources, for “Misty sunrise among the dying ash trees.

Honorable mention, graduate and post-doctoral students: Andrew Blythe, graduate student of the College of Agriculture and Life Sciences, for “Giant foxtail (Setaria faberi). “

Honorable mention, graduate and post-doctoral students: Alejandro Valdes, the College of Sciences, for “NC state in a bottle.

First place, teachers and staff: Matt Bertone, Faculty Member of the College of Agriculture and Life Sciences, for “Nymph and adult of the giant strong-nosed bug, Alcaeorrhynchus grandis (Pentatomidae). “

Second place, teachers and staff: David Suchoff, faculty member of the College of Agriculture and Life Sciences, for “Mature CBD hemp at harvest. “

Video & Interactive

First place, undergraduates: Anna Taylor and Andrew Igdal, Undergraduates at the College of Science, for “Wind Driven Accretion on a Black Hole”.

First place, graduate and postdoctoral studentss: Farnaz Fazelpour, graduate student of the Faculty of Sciences, for “Visualization of photoelastic force. “

Second place, graduate students and post-docs: Keith Hillaire, Graduate Student of the College of Science, for “Liquid metal fingers. “

Honorable mention, graduate and post-doctoral students: Joseph Gutierrez, graduate student at the College of Natural Resources, for “Biomimizing structural colors with wood nanocrystals. “

Honorable mention, graduate and post-doctoral students: Maria Aleman, graduate student at the College of Engineering, for “Vortex relief behind a cylinder. “

First place, teachers and staff: Roland Kays, Faculty Member, College of Natural Resources, for “Arctic Animal Movement”.

Second place, teachers and staff: Justin Johnson, Faculty Member of the College of Design, for “Virtual nature for mental restoration. “

(C) NCSU


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Artworks by DeKalb Graduate to Be Featured in National Digital Exhibition | The star https://911gallery.org/artworks-by-dekalb-graduate-to-be-featured-in-national-digital-exhibition-the-star/ Fri, 20 Aug 2021 04:00:00 +0000 https://911gallery.org/artworks-by-dekalb-graduate-to-be-featured-in-national-digital-exhibition-the-star/ WATERLOO – The work of recent DeKalb High School graduate Oliver (Olivia) Benbow has been shortlisted for inclusion on the College Board AP National Gallery of Art and Design website. Benbow graduated from DeKalb in 2021 and now attends Purdue University in West Lafayette, where he studies biochemistry. Benbow completed the piece as part of […]]]>

WATERLOO – The work of recent DeKalb High School graduate Oliver (Olivia) Benbow has been shortlisted for inclusion on the College Board AP National Gallery of Art and Design website.

Benbow graduated from DeKalb in 2021 and now attends Purdue University in West Lafayette, where he studies biochemistry. Benbow completed the piece as part of a portfolio for an AP studio art class at DeKalb.

His artwork was one of 50 pieces selected across the country for digital exhibition.

“This year’s exhibition features high-quality student work exploring creativity, innovation in artistic creation and thought, critical thinking through inquiry, process and practice, and excellence in skills, ”the College Board explained of its selections.

“Basically it’s about having multiple identities in one body,” Benbow said of his article.

“This piece was part of a portfolio for AP art and design. Students had to come up with a question that guided their entire portfolio, ”said Jessica Minnich, art teacher at DeKalb High School.

Students also had to come up with a question that motivated each piece, Minnich added.

Benbow asked the question, “How can I bring trans and queer culture to my community through my plays?” »Leads his wallet.

“How can I show multiple gender identities in one person? Was the question that motivated the selected piece, said Benbow.

“I wanted to use a different fashion and things that are attributed to trans culture and queer culture so I wanted to use things like ‘camp’ and fashion and different poses,” Benbow said.

He said his work featured “a lot of flamboyance” and that he drew inspiration from history, such as the Elizabethan court dress for inspiration and ideas.

Benbow used a pen and watercolor to create the piece.

“Oliver was probably one of my most prolific students of all time,” said Minnich, noting that Benbow completed five sketchbooks during the year.

“From cover to cover, every page is covered. They’re like masterpieces… people would stare at them for hours, ”Minnich said.

“He was so motivated. Everything was so awesome. He was always willing to try and experiment with many different mediums and colors. Everything was very expressive and very unique.

The website featuring digital signage is expected to launch later this fall.


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work of art in the spotlight: Galerie Maximilian | AspenTimes.com https://911gallery.org/work-of-art-in-the-spotlight-galerie-maximilian-aspentimes-com/ Tue, 10 Aug 2021 18:36:14 +0000 https://911gallery.org/work-of-art-in-the-spotlight-galerie-maximilian-aspentimes-com/ Damien Hirst, “Tyloxapol”, 2010, woodcut, 36 half x 48 “. Photo courtesy of Galerie Maximilian Throughout his 40 years of practice, Albert Sanford, owner of the Maximillian Gallery, has always believed in one common place when purchasing artistic activities: “If I can’t stop” a little in my own house that would not deserve any place […]]]>

Damien Hirst, “Tyloxapol”, 2010, woodcut, 36 half x 48 “. Photo courtesy of Galerie Maximilian

Throughout his 40 years of practice, Albert Sanford, owner of the Maximillian Gallery, has always believed in one common place when purchasing artistic activities: “If I can’t stop”

a little in my own house that would not deserve any place on the partitions of my gallery or at my client’s. “

It is this passionate, non-public relationship with artistic endeavors and accumulated craftsmanship that makes the Maximillian Gallery one of the largest in Aspen. In a dynamic, welcoming and interesting setting, discover the works of many of the world’s most sought-after artists, all modern and modern. Prospects turn into friends and go to the gallery season after season, 12 months for 12 months. It is an invaluable relationship based primarily on religion.

“Our clients consider our expertise and respect that we are one of the many oldest working galleries in Aspen,” says Sanford. “We were based in 1997 and made it our mission to spend time with our customers and help them build high quality collections that they have been happy with for generations. “

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The Maximillian Gallery usually changes the facilities so that you are almost sure to see something new every time you go.

The summer season 2021 begins with the “New British Editions”, which from June 1 to July 19 features works by Damien Hirst, Anish Kapoor, Idris Khan, Michael Craig Martin, Harland Miller, Julian Opie, Grayson Perry and Clare Woods . Sarah Graham: Newest Works, July 23 – August 15, features ink drawings of flowers that may take your breath away. The artist has created a singular work that reveals a collection of dahlias of their common sense in improbable colors and compositions. Each design is hand painted with pure pigments on craft paper, allowing him to use his favorite utensils and perform the works artistically. The artist should be up to date for an eBook signing session August 2-4 from 3 p.m. to 5 p.m. (by appointment only). RSVP at 970-925-6100 or Art work@galeriemax.com.

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Spotlight on Works of Art: Galerie Raven | AspenTimes.com https://911gallery.org/spotlight-on-works-of-art-galerie-raven-aspentimes-com/ Tue, 03 Aug 2021 20:51:15 +0000 https://911gallery.org/spotlight-on-works-of-art-galerie-raven-aspentimes-com/ Rich Royal, Teal and Purple lens, blown glass, 19 “H x 18” W x 18 “T. Photograph courtesy of the Raven Gallery When you step into the 1,500 square foot Raven Gallery residence on East Cooper Avenue, every feasible strategy can reveal some really great studio art glass. For those looking to explore a little […]]]>

Rich Royal, Teal and Purple lens, blown glass, 19 “H x 18” W x 18 “T. Photograph courtesy of the Raven Gallery

When you step into the 1,500 square foot Raven Gallery residence on East Cooper Avenue, every feasible strategy can reveal some really great studio art glass. For those looking to explore a little more, check out an assortment of work organized in varied mediums, distinctive ceramic work, and a great collection of distinctive minerals and crystals.

Recognized as possibly the most important glass galleries in the country and quite unmistakable to Aspen, the gallery employees welcome the whole company, from guests to collectors. “We involve a wide range of artistic glass endeavors, from inexperienced people to masters, complemented by high quality works, ceramics and mineral and crystalline preparations,” explains glass director Anne Gross. “Our guests are fascinated by the range and unusual shapes of the varieties on display. We choose to share our data and questions are always welcome. “

The owner, herself an artist, has a zeal for artistic endeavors, which is linked to a deep appreciation for time and effort. She is aware of the difficulty of making glass objects of immaculate beauty; She tried! His intention with the opening of the gallery was to promote artists who have the know-how to create works that combine splendor with gentleness and stimulate creativity and present the improbable eerie of nature in the form of minerals and amazing crystals.

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“The world of glass art has faced very specific challenges due to the pandemic. Glassblowing is a valuable human resource job that just wasn’t a possibility 12 months ago, ”says Anne. “Artists capable of working face difficulties, from supplying to transporting finished works. Just putting the items in the gallery was a huge inconvenience. Typically it is anyway, but now we’ll see solar at the end of the tunnel. “

With that in mind, we are pleased to announce the arrival of beautiful constructions of shadow, softness and reflection from Japan and the Czech Republic as well as unimaginable mouth-blown glass burning from the homes of many American artists. The stable glass of Hawaii’s “Picasso-esque” choice and the bright, pure forms of North Carolina have also landed, and new oil works by current realists Scott Fraser and Otto Duecker, abstract media dramatic mixed by Canadian Markian Olynyk and the ethereal polish by Jane Guthridge has been hung up.

It’s a whole new job for a whole new season. Stop and find your voucher, then let us install it on the website or ship it virtually anywhere!

Aspen and Snowmass Village readers turn Aspen’s work into occasional potential. Your monetary contribution helps us to deliver top quality and associated journalism to the region.

Your help is needed more than ever to keep our group informed about the development of the coronavirus pandemic and its effects on the bottom line. Any launch, whether large or small, will make a distinction.

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A work of art about the life of Guru Nanak Dev that captures the visual beauty of the holy city of Amritsar: The India Tribune https://911gallery.org/a-work-of-art-about-the-life-of-guru-nanak-dev-that-captures-the-visual-beauty-of-the-holy-city-of-amritsar-the-india-tribune/ Fri, 23 Jul 2021 07:04:00 +0000 https://911gallery.org/a-work-of-art-about-the-life-of-guru-nanak-dev-that-captures-the-visual-beauty-of-the-holy-city-of-amritsar-the-india-tribune/ The correspondent of the Tribune Neha Saini and photojournalist Sunil Kumar takes you on an aesthetic journey capturing works of art that add to the visual beauty of the holy city. Here’s a glimpse into the abstract world of creativity … Janamsakhi by Tera Tera Art on the life of Guru Nanak Dev was on […]]]>

The correspondent of the Tribune Neha Saini and photojournalist Sunil Kumar takes you on an aesthetic journey capturing works of art that add to the visual beauty of the holy city. Here’s a glimpse into the abstract world of creativity …

Janamsakhi by Tera Tera

Art on the life of Guru Nanak Dev was on display at the GNDU Vice Chancellor’s office. It stands 12 feet tall and is based on ‘Janamsakhi of Tera Tera’, designed by urban artist Sumeet Dua and conceptualized in collaboration with Arvinder Chamak. It was made in a ‘Nanakshahi’ brick structure, with a graphic representation of Tera (13) and jute bags of various grains displayed with a ‘takadi’ (scale). It was installed during the art festival, which was held on the eve of Guru Nanak Dev’s 550th Parkash Purb in Dera Baba Nanak.

Bloody partition

One of the score museum’s striking works of art is a gigantic saw sticking out of a brick wall, exhibiting the Indo-Pakistani score in 1947. The art installation is among many other aesthetic reminders of the one of the largest mass migrations in the history of the world. .

A saga of love

The famous Punjabi folklore of Sohni Mahiwal was beautifully portrayed by eminent artist OP Verma at the Amritsar Art Gallery. In a relief work, figures are projected from a support background. Entitled Sohni Mahiwal, the artwork was inaugurated in 2014 and has since attracted art students.

Women as a cornerstone

To commemorate International Women’s Day in 2020, a brick art was created by several artists from the city in collaboration with FICCI FLO on a roundabout near the airport. Brick art made in “Nanakshahi” style represents women as the cornerstone of society. A champa planted in the middle is a metaphor for women.

Universality matters

The 500kg, 13ft tall sculpture greets passengers at the entrance to Sri Guru Ram Das Jee International Airport. It is designed by artist Sumeet Dua. The sculpture ‘Ball of Joy’ has two abstract human figures. It was created in 2019 and was conceptualized to convey the message of universality and global travel.

Right to education

The art of pencil and book is installed on one of the busiest routes in the city and is dedicated to the Right to Education Act. Installed in 2016, as the city was undergoing a massive aesthetic makeover, this structure was donated by a private education center in the city to the district administration.

In memory of the martyrs

Considered one of the oldest art installations in the city, this concrete structure was made by architect Mohinderjit Singh at Rose Avenue Park in 1995. It was designed on a model similar to a memorial inside Jallianwala Bagh.

Tribute to freedom fighters

A 16-foot-tall marble memorial carved by Anoop Barlaria and Shashank Jain has sketches of freedom fighters engraved on it. The “white flame” bears the names of all the martyrs of Jallianwala Bagh. It was inaugurated by former deputy CM Sukhbir Singh Badal, when he dedicated Heritage Street to the public in 2016.

Sustainability message

A striking and colorful mural made of acrylic and ceramic waste by Smiley Chaudhary was installed on police lines on International Earth Day this year. Carrying a message of sustainability, this site will be transformed into a mini-forest by the FICCI FLO.

Broken links

The red brick structure of the Partition Museum is a “Nanakshahi” style of architecture, which represents the broken bonds of humanity during the 1947 Partition.


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A work of art on the life of Guru Nanak Dev that captures the visual beauty of the holy city of Amritsar: The India Tribune https://911gallery.org/a-work-of-art-on-the-life-of-guru-nanak-dev-that-captures-the-visual-beauty-of-the-holy-city-of-amritsar-the-india-tribune/ Fri, 23 Jul 2021 07:04:00 +0000 https://911gallery.org/a-work-of-art-on-the-life-of-guru-nanak-dev-that-captures-the-visual-beauty-of-the-holy-city-of-amritsar-the-india-tribune/ The correspondent of the Tribune Neha Saini and photojournalist Sunil Kumar takes you on an aesthetic journey capturing works of art that add to the visual beauty of the holy city. Here’s a glimpse into the abstract world of creativity … Janamsakhi by Tera Tera Art on the life of Guru Nanak Dev was on […]]]>

The correspondent of the Tribune Neha Saini and photojournalist Sunil Kumar takes you on an aesthetic journey capturing works of art that add to the visual beauty of the holy city. Here’s a glimpse into the abstract world of creativity …

Janamsakhi by Tera Tera

Art on the life of Guru Nanak Dev was on display at the GNDU Vice Chancellor’s office. It stands 12 feet tall and is based on ‘Janamsakhi of Tera Tera’, designed by urban artist Sumeet Dua and conceptualized in collaboration with Arvinder Chamak. It was made in a ‘Nanakshahi’ brick structure, with a graphic representation of Tera (13) and jute bags of various grains displayed with a ‘takadi’ (scale). It was installed during the art festival, which was held on the eve of Guru Nanak Dev’s 550th Parkash Purb in Dera Baba Nanak.

Bloody partition

One of the score museum’s striking works of art is a gigantic saw sticking out of a brick wall, exhibiting the Indo-Pakistani score in 1947. The art installation is among many other aesthetic reminders of the one of the largest mass migrations in the history of the world.

A saga of love

The famous Punjabi folklore of Sohni Mahiwal was beautifully portrayed by eminent artist OP Verma at the Amritsar Art Gallery. In a relief work, figures are projected from a support background. Entitled Sohni Mahiwal, the artwork was inaugurated in 2014 and has since attracted art students.

Women as a cornerstone

To commemorate International Women’s Day in 2020, a brick art was created by several artists from the city in collaboration with FICCI FLO on a roundabout near the airport. Brick art made in “Nanakshahi” style represents women as the cornerstone of society. A champa planted in the middle is a metaphor for women.

Universality matters

The 500kg, 13ft tall sculpture greets passengers at the entrance to Sri Guru Ram Das Jee International Airport. It is designed by artist Sumeet Dua. The sculpture ‘Ball of Joy’ has two abstract human figures. It was created in 2019 and was conceptualized to convey the message of universality and global travel.

Right to education

The art of pencil and book is installed on one of the busiest routes in the city and is dedicated to the Right to Education Act. Installed in 2016, as the city was undergoing a massive aesthetic makeover, this structure was donated by a private education center in the city to the district administration.

In memory of the martyrs

Considered one of the oldest art installations in the city, this concrete structure was made by architect Mohinderjit Singh at Rose Avenue Park in 1995. It was designed on a model similar to a memorial inside Jallianwala Bagh.

Tribute to freedom fighters

A 16-foot-tall marble memorial carved by Anoop Barlaria and Shashank Jain has sketches of freedom fighters engraved on it. The “white flame” bears the names of all the martyrs of Jallianwala Bagh. It was inaugurated by former deputy CM Sukhbir Singh Badal, when he dedicated Heritage Street to the public in 2016.

Sustainability message

A striking and colorful mural made of acrylic and ceramic waste by Smiley Chaudhary was installed on police lines on International Earth Day this year. Carrying a message of sustainability, this site will be transformed into a mini-forest by the FICCI FLO.

Broken links

The red brick structure of the Partition Museum is a “Nanakshahi” style of architecture, which represents the broken bonds of humanity during the 1947 Partition.


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A work of art on the life of Guru Nanak Dev that captures the visual beauty of the holy city of Amritsar: The India Tribune https://911gallery.org/a-work-of-art-on-the-life-of-guru-nanak-dev-that-captures-the-visual-beauty-of-the-holy-city-of-amritsar-the-india-tribune-3/ Fri, 23 Jul 2021 07:00:00 +0000 https://911gallery.org/a-work-of-art-on-the-life-of-guru-nanak-dev-that-captures-the-visual-beauty-of-the-holy-city-of-amritsar-the-india-tribune-3/ The correspondent of the Tribune Neha Saini and photojournalist Sunil Kumar takes you on an aesthetic journey capturing works of art that add to the visual beauty of the holy city. Here’s a glimpse into the abstract world of creativity … Janamsakhi by Tera Tera Art on the life of Guru Nanak Dev was on […]]]>

The correspondent of the Tribune Neha Saini and photojournalist Sunil Kumar takes you on an aesthetic journey capturing works of art that add to the visual beauty of the holy city. Here’s a glimpse into the abstract world of creativity …

Janamsakhi by Tera Tera

Art on the life of Guru Nanak Dev was on display at the GNDU Vice Chancellor’s office. It stands 12 feet tall and is based on ‘Janamsakhi of Tera Tera’, designed by urban artist Sumeet Dua and conceptualized in collaboration with Arvinder Chamak. It was made in a ‘Nanakshahi’ brick structure, with a graphic representation of Tera (13) and jute bags of various grains displayed with a ‘takadi’ (scale). It was installed during the art festival, which was held on the eve of Guru Nanak Dev’s 550th Parkash Purb in Dera Baba Nanak.

Bloody partition

One of the score museum’s striking works of art is a gigantic saw sticking out of a brick wall, exhibiting the Indo-Pakistani score in 1947. The art installation is among many other aesthetic reminders of the one of the largest mass migrations in the history of the world. .

A saga of love

The famous Punjabi folklore of Sohni Mahiwal was beautifully portrayed by eminent artist OP Verma at the Amritsar Art Gallery. In a relief work, figures are projected from a support background. Entitled Sohni Mahiwal, the artwork was inaugurated in 2014 and has since attracted art students.

Women as a cornerstone

To commemorate International Women’s Day in 2020, a brick art was created by several artists from the city in collaboration with FICCI FLO on a roundabout near the airport. Brick art made in “Nanakshahi” style represents women as the cornerstone of society. A champa planted in the middle is a metaphor for women.

Universality matters

The 500kg, 13ft tall sculpture greets passengers at the entrance to Sri Guru Ram Das Jee International Airport. It is designed by artist Sumeet Dua. The sculpture ‘Ball of Joy’ has two abstract human figures. It was created in 2019 and was conceptualized to convey the message of universality and global travel.

Right to education

The art of pencil and book is installed on one of the busiest routes in the city and is dedicated to the Right to Education Act. Installed in 2016, as the city was undergoing a massive aesthetic makeover, this structure was donated by a private education center in the city to the district administration.

In memory of the martyrs

Considered one of the oldest art installations in the city, this concrete structure was made by architect Mohinderjit Singh at Rose Avenue Park in 1995. It was designed on a model similar to a memorial inside Jallianwala Bagh.

Tribute to freedom fighters

A 16-foot-tall marble memorial carved by Anoop Barlaria and Shashank Jain has sketches of freedom fighters engraved on it. The “white flame” bears the names of all the martyrs of Jallianwala Bagh. It was inaugurated by former deputy CM Sukhbir Singh Badal, when he dedicated Heritage Street to the public in 2016.

Sustainability message

A striking and colorful mural made of acrylic and ceramic waste by Smiley Chaudhary was installed on police lines on International Earth Day this year. Carrying a message of sustainability, this site will be transformed into a mini-forest by the FICCI FLO.

Broken links

The red brick structure of the Partition Museum is a “Nanakshahi” style of architecture, which represents the broken bonds of humanity during the 1947 Partition.


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A work of art on the life of Guru Nanak Dev that captures the visual beauty of the holy city of Amritsar: The India Tribune https://911gallery.org/a-work-of-art-on-the-life-of-guru-nanak-dev-that-captures-the-visual-beauty-of-the-holy-city-of-amritsar-the-india-tribune-2/ Fri, 23 Jul 2021 07:00:00 +0000 https://911gallery.org/a-work-of-art-on-the-life-of-guru-nanak-dev-that-captures-the-visual-beauty-of-the-holy-city-of-amritsar-the-india-tribune-2/ The correspondent of the Tribune Neha Saini and photojournalist Sunil Kumar takes you on an aesthetic journey capturing works of art that add to the visual beauty of the holy city. Here’s a glimpse into the abstract world of creativity … Janamsakhi by Tera Tera Art on the life of Guru Nanak Dev was on […]]]>

The correspondent of the Tribune Neha Saini and photojournalist Sunil Kumar takes you on an aesthetic journey capturing works of art that add to the visual beauty of the holy city. Here’s a glimpse into the abstract world of creativity …

Janamsakhi by Tera Tera

Art on the life of Guru Nanak Dev was on display at the GNDU Vice Chancellor’s office. It stands 12 feet tall and is based on ‘Janamsakhi of Tera Tera’, designed by urban artist Sumeet Dua and conceptualized in collaboration with Arvinder Chamak. It was made in a ‘Nanakshahi’ brick structure, with a graphic representation of Tera (13) and jute bags of various grains displayed with a ‘takadi’ (scale). It was installed during the art festival, which was held on the eve of Guru Nanak Dev’s 550th Parkash Purb in Dera Baba Nanak.

Bloody partition

One of the score museum’s striking works of art is a gigantic saw sticking out of a brick wall, exhibiting the Indo-Pakistani score in 1947. The art installation is among many other aesthetic reminders of the one of the largest mass migrations in the history of the world. .

A saga of love

The famous Punjabi folklore of Sohni Mahiwal was beautifully portrayed by eminent artist OP Verma at the Amritsar Art Gallery. In a relief work, figures are projected from a support background. Entitled Sohni Mahiwal, the artwork was inaugurated in 2014 and has since attracted art students.

Women as a cornerstone

To commemorate International Women’s Day in 2020, a brick art was created by several artists from the city in collaboration with FICCI FLO on a roundabout near the airport. Brick art made in “Nanakshahi” style represents women as the cornerstone of society. A champa planted in the middle is a metaphor for women.

Universality matters

The 500kg, 13ft tall sculpture greets passengers at the entrance to Sri Guru Ram Das Jee International Airport. It is designed by artist Sumeet Dua. The sculpture ‘Ball of Joy’ has two abstract human figures. It was created in 2019 and was conceptualized to convey the message of universality and global travel.

Right to education

The art of pencil and book is installed on one of the busiest routes in the city and is dedicated to the Right to Education Act. Installed in 2016, as the city was undergoing a massive aesthetic makeover, this structure was donated by a private education center in the city to the district administration.

In memory of the martyrs

Considered one of the oldest art installations in the city, this concrete structure was made by architect Mohinderjit Singh at Rose Avenue Park in 1995. It was designed on a model similar to a memorial inside Jallianwala Bagh.

Tribute to freedom fighters

A 16-foot-tall marble memorial carved by Anoop Barlaria and Shashank Jain has sketches of freedom fighters engraved on it. The “white flame” bears the names of all the martyrs of Jallianwala Bagh. It was inaugurated by former deputy CM Sukhbir Singh Badal, when he dedicated Heritage Street to the public in 2016.

Sustainability message

A striking and colorful mural made of acrylic and ceramic waste by Smiley Chaudhary was installed on police lines on International Earth Day this year. Carrying a message of sustainability, this site will be transformed into a mini-forest by the FICCI FLO.

Broken links

The red brick structure of the Partition Museum is a “Nanakshahi” style of architecture, which represents the broken bonds of humanity during the 1947 Partition.


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Washington Post sheds light on Hunter Biden ethical scandals with full-page artwork https://911gallery.org/washington-post-sheds-light-on-hunter-biden-ethical-scandals-with-full-page-artwork/ Mon, 19 Jul 2021 07:00:00 +0000 https://911gallery.org/washington-post-sheds-light-on-hunter-biden-ethical-scandals-with-full-page-artwork/ Media headlines July 19 White House slammed for supporting Big Tech’s “collusion” on banning COVID “disinformation” spreaders, journalist’s candid assessment of progressives in Cuba, and President Biden getting roasted on MSNBC round out headlines in today’s media. The Washington Post on Monday highlighted Hunter Biden’s many ethical scandals with a full page of artwork in […]]]>

The Washington Post on Monday highlighted Hunter Biden’s many ethical scandals with a full page of artwork in their editorial section.

The editorial promoted a fictional “art exhibition” by Hunter Biden, son of President Joe Biden, which parodied the recent scandals. Images in the article included a framed photo labeled “I Heart Burisma,” referring to Hunter’s time on the board of the Ukrainian energy company despite his inexperience in the industry. The feature also included an empty frame titled “Painters who would appear in this gallery if they weren’t called Biden”.

Washington Post editor Glen Kessler shared the article on his Twitter account.

“The Wash Post opinion page goes no further punches with a biting and fun ‘display’ of Hunter Biden’s art via Meghan Kruger,” Kessler tweeted.

OBAMA ETHICS CHIEF BLASTS SECRET HUNTER BIDEN ART SCHEME ORGANIZED BY WHITE HOUSE

Kessler had previously scoffed at any investigation or media reference to the ongoing Hunter Biden scandals. In December, he called Hunter’s foreign relations investigation a “laptop thing.”

Kessler has been criticized for referring to the Hunter Biden scandals only through a “humorous” article months after the 2020 election.

“It would be even funnier if the WaPo didn’t call out these same Russian disinformation suggestions to protect Biden during the election,” one user wrote.

Another user tweeted: “Corruption makes me laugh almost as much as the time you used your fact-checking page to decide if Tim Scott’s family was really racist. Remember that Glenn? Classic? . “

The mainstream media largely underestimated the Hunter Biden scandals, claiming that reports of the contents of his laptop were based on “Russian disinformation.” The New York Post, which first reported the Hunter Biden laptop story, faced unprecedented resistance from social media companies like Facebook and Twitter, both of which were censoring sharing. Of the history. Additionally, the New York Post was banned from its Twitter account for sharing the story.

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As for Hunter Biden’s work, Obama’s former ethics chief Walter Shaub previously denounced the White House’s ethical plans surrounding him.

“So instead of revealing who is paying exorbitant sums for Hunter Biden’s artwork so that we can verify if buyers have access to the government, the WH has tried to make sure we never know who they are. “Shaub wrote. “It is very disappointing.”


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